“Pushing Daisies” (ABC) is an inventive, novel, highly entertaining effort. The premise is that Ned the Pie Maker can bring the dead back to life simply by touching them. However, as Ned learned the hard way when he was a child, if he touches the revived person or animal again, then they are dead for good. Oh, and there’s a caveat: if Ned allows the revived person or animal to live longer than 60 seconds, then someone else dies in order to keep the balance.
For this reason, the sweet Pie Maker was afraid of his “gift” for many years. Then, he had the ingenious idea to use it to make money: he figured that if he could sneak into the morgue, he could bring crime victims back to life for one minute and find out who murdered them. Then he tips off police and wins the reward money for helping solve the crimes.
Things became complex, however, when one of the crime victims was the Pie Maker’s long-lost sweetheart, Charlotte, whom he calls Chuck. After reviving Chuck, the Pie Maker didn’t have the heart to touch her a second time, so the funeral director died (thereby keeping the balance), and Chuck and the Pie Maker have a wonderful romance — except that he can’t touch her or she’ll go back to being dead.
There are so many wonderful characters on “Pushing Daisies,” and the sets are vibrantly colored and fun. The plotlines are comical and fresh, and bringing back the dead people makes for some very funny scenes.
And this show has been cancelled, but “The Bachelor” and “Survivor” are still on the air.
“Dead Like Me” lasted two seasons on Showtime. This dark comedy followed a team of grim reapers, a group of unlikely characters who didn’t quite learn all they were supposed to in life, so now they are learning it in death. In traditional reaper-style, they are also tasked with taking the lives of those whose time has come. The show’s characters are wily and likable, and the premise is dark yet hilarious.
HBO’s “Carnivale” survived almost two seasons. It was a classic tale of the battle between good and evil set in the 1930s dust bowl, and it was mainly set among a traveling carnival with freaks galore. The show has heavy religious and mystical overtones, and two of the key characters are symbolic of the messiah and the antichrist. HBO gave “Carnivale” a quick, half-assed conclusion that left me with questions and thirsty for more episodes.
“Stephen King’s Kingdom Hospital” was another fantastically creative show, and its downfall may have been the network. It aired for one season on ABC, and the network may have just been too mainstream for the quirky show. It might have fared better on FOX or a cable network. I became interested in “Kingdom Hospital” because I’m a fan of both Stephen King and Richard Dooling, an Omaha author who collaborated with King on the project as a writer and producer. The show was shadowy and mysterious, with a unique brand of dark humor. (One of my favorite scenes was when a headless guy was looking for his head as the Basement Jaxx song “Where’s Your Head At” played.) It was this humor that made “Kingdom Hospital” so novel. Yes, the show was peculiar, but if you rode with it, it had so much to offer.
Reality TV has ruined everything. Viewers are content to watch whatever crap a network airs as long it’s a reality show. They have become so addicted to finding out who gets evicted from the Big Brother House or who gets booted from the island or who the bachelor/bachelorette is making out with that they evidently fail to realize the stupidity of what they are watching.
And “The Bachelor” and “The Bachelorette” — do the contestants or viewers honestly think that lasting love is to be found with mindless morons on television? Lust, maybe, but certainly not love. I don’t see why anyone would find these shows interesting to begin with, and I can't understand the point of continuing to watch them season after season.
What I find disheartening is that these shows remain on the air because millions of people are watching them every week. In the meantime, truly creative, entertaining shows are canceled to make more room for shows like “The Biggest Loser” and “COPS.” Apparently the American public is that stupid. How many fat people do you want to watch sweat uncontrollably then cry because they’re still fat and really want a Twinkie? How many drunk people can you stand to watch see arrested on “COPS”? These shows don’t have anything fresh or innovative about them. It’s the same crap over and over every season.
Is it watching the common man and woman on TV? Is that what attracts viewers to reality TV? Because frankly, these shows serve only to display how ridiculous and unintelligent the common man and woman are. I don’t find that entertaining; I find it sad and annoying — although admittedly I have a very low tolerance for stupid people.
“Pushing Daisies” is canceled in its second season, but “Deal or No Deal” is gathering ratings by the masses. Reality TV has spawned the second dawning of game-show TV. Game shows are OK — if they require skill or intelligence. But “Deal or No Deal” requires no skill, no intelligence. Contestants only have to call off numbers and hope that case is the one they want. When the banker calls, the greedy ones shout, “no deal!” while the needy ones proclaim, “deal.” That sure takes talent. If you must know the outcome, just watch the last five minutes of the show and save yourself the pain of watching the rest of it.
I’m disappointed in the American TV-viewing public. I’m frustrated that people are content entertain themselves with the least stimulating shows on television. I’m irked that great shows are canceled to make room for banal TV. Americans should have higher standards for television. We should be smarter than “Wife Swap” and “The Real World.”
















